This section provides information about what materials are needed, and how the assignments and marking are arranged. Please read it carefully.
Course materials
The course will cover an extensive selection of readings in both classic texts of literary critical theory and examples of applied criticism in reference to specific texts. The ten study units will provide you with contextual information and assistance in understanding the key concepts as well as the problems and challenges presented by the readings. Additional emphasis will be placed on exploring the way that our readings work as arguments within an historical tradition of conversation about literature. To maintain the integrity of the critical approaches studied, you will be expected to complete approximately 40 pages of primary readings per unit. The study units will include a number of activities and self-tests to help you become a more critical reader.
You will notice a difference in approach between the first half of the course and the second half. In Units 1–5, the focus is on classical literature. The study units are self-contained, although you will still need to refer to the primary texts discussed in the unit. In Units 6–9, the primary learning material is the custom textbook, which you will receive in two volumes from HKMU. There will also be study guides for each of these units prepared by the course developer to lead you through your reading of the textbook. Unit 10 will comprise a round-up of what has been learned.
Study units
This course consists of ten study units. Each unit concentrates on different aspects of literary criticism. The course material also directs you to additional resources and readings, and includes a number of activities and self-tests to help you develop your analytical skills.
Below are descriptions of each of the ten units.
Unit 1 — Introduction to critical literature theory
This unit introduces you to the history of the genre of critical writing about literature, and defines the roles and purposes of literary criticism. Definitions of basic vocabulary used in describing the analysis of literature are provided, and a road map for the remainder of the course is given.
Readings
- Abrams, M H, The Mirror and the Lamp (1953) Oxford UP; pp. 3–29
- Lentricchia, F and McLaughlin, T (1990) Critical Terms for Literary Study, Chicago: The University of Chicago Press; entry for 'Representation'.
Unit 2 — Classical theory I: Plato and Aristotle
This unit develops your understanding of the foundational developments in literary theory, and of the first important debate between schools of theory. The unit begins by exploring the arguments of Plato against literature, and then moves on to consider Aristotle's response. We will also define the influence of Plato and Aristotle on later critical theory.
Readings
- Plato, Ion; Republic (selections)
- Aristotle, Poetics.
Unit 3 — Classical theory II: Horace, Longinus and Sidney
This unit describes further historical development of the arguments of Plato and Aristotle. First, it describes the social and historical transformations and the changes of context and purpose in the second classical Golden Age: the Roman world of Horace. Second, it examines the theories of Longinus, as a particularly influential response to and re-evaluation of Plato.
Readings
- Horace, The Art of Poetry
- Longinus, On the Sublime (selections)
- Sidney, Defence of Poetry (selections).
Unit 4 — The Enlightenment and modern subjectivity: Burke and Kant
This unit traces the break between classical and modern theory. It describes Burke's idea of the sublime and its extension by Kant. Our aim in this unit is to apprehend the new philosophical perspective of subjective truth, to relate this idea to developments in the literature and society of the time, and to understand its consequent implications.
Readings
- Burke, On the Sublime, Part 1, Sections 7–8; Part 3, Section 27
- Kant, Critique of Judgment (selections).
Unit 5 — Arguing about progress: Hegel, Rousseau, Marx and Nietzsche
This unit builds on Unit 4 in describing the evolution and development of subjectivity in modern theory. We begin with Hegel's introduction of historical forces to aesthetic theory, and then study the way that Marx extends and reconfigures these ideas. Marx's focus is illustrated by a comparison of the reading of Robinson Crusoe with that of Rousseau. Finally, we look at how Nietzsche rejects the concerns of Hegel and Marx while not proposing a return to a pre-Hegelian and pre-Marxist understanding of society. With all three thinkers, we focus on what common ground they share in their agreements and disagreements with classical philosophy and literary theory.
Readings
- Hegel, Phenomenology of Spirit; Lectures on Fine Art (selections)
- Rousseau, Emile; excerpt on Robinson Crusoe
- Marx, Economic and Philosophic Manuscripts of 1844; Capital (selections)
- Nietzsche, Human, All Too Human.
Unit 6 — New Criticism and reader-response criticism
In this unit, we focus on two approaches in the reading of literature that seem to be diametrically opposite to each other, with one focusing on the text and the other on the reader. While New Criticism interprets a work using only textual evidence, reader-response theories move away from the text to the extreme of just focusing on the reader.
Readings
Chapter 5 'New Criticism' and Chapter 6 'Reader-response criticism' in Tyson, L (2015) Critical Theory Today: A User-friendly Guide, 3rd edn, London and New York: Routledge. These readings can be found in your custom textbook.
Unit 7 — Structuralism, deconstruction and psychoanalytic criticism
In this unit, we are going to look at some of the major critical concerns that arose at the end of the 20th century. In addition to the discussion of some of the key concepts in structuralism, deconstruction and psychoanalytic criticism, surveying the far-reaching influence of structuralism, we will also explore the interrelationship between them and evaluate the major advantages and shortfalls of each of the three approaches.
Readings
Chapter 7 'Structuralist criticism', Chapter 8 'Deconstructive criticism' and Chapter 2 'Psychoanalytic criticism' in Tyson, L (2015) Critical Theory Today: A User-friendly Guide, 3rd edn, London and New York: Routledge. These readings can be found in your custom textbook.
Unit 8 — New historicism and cultural criticism
This unit examines two outward approaches in the reading of literature. New historicism and cultural materialism both have a strong focus on the relationship between a piece of work and its historical time or location, although the text itself remains crucial.
Reading
Chapter 9 'New historicism and cultural criticism' in Tyson, L (2015) Critical Theory Today: A User-friendly Guide, 3rd edn, London and New York: Routledge. This reading can be found in your custom textbook.
Unit 9 — Feminist criticism and postcolonial criticism
This unit has a focus on how the Other reacts against the established conventions that place him or her in a disadvantaged position. Other than exploring some of the key concepts of feminist criticism and postcolonial criticism, this unit also discusses the interdisciplinary nature of these two critical perspectives.
Readings
Chapter 4 'Feminist criticism' and Chapter 12 'Postcolonial criticism' in Tyson, L (2015) Critical Theory Today: A User-friendly Guide, 3rd edn, London and New York: Routledge. These readings can be found in your custom textbook.
Unit 10 — A summary of theories and looking to the future
The final unit of the course aims to define and consider the problems faced by academic criticism of literature at the present time. We explore other contemporary factors that may undermine or redefine the practice of literary criticism.
Assignment File
This course features four assignments. The four assignments along with guidance on completing them will be made available on the Online Learning Environment (OLE).
Presentation Schedule
The Presentation Schedule is available on the OLE, and it gives the dates for completing your assignments, and for attending tutorials, day schools, and so on.
Custom textbook
Students will need to refer to a custom textbook for Units 6-9 of the course. The custom textbook comprises selected chapters from the following publication:
Tyson, L (2015) Critical Theory Today: A User-friendly Guide, 3rd edn, London and New York: Routledge.
Other texts for study
You will need to refer to required readings for each unit. For some of the readings, you may be required to obtain the texts yourself by searching online or in the library. You should follow the instructions in each unit to locate the relevant readings.
References
- Abrams, The Mirror and the Lamp.
- Achebe, 'An image of Africa: racism in Conrad's Heart of Darkness'.
- Adorno and Horkheimer, 'The culture industry: Enlightenment as mass deception'.
- Aristotle, Poetics.
- Auerbach, Mimesis: The Representation of Reality in Western Literature, 'Odysseus' scar'.
- Barthes, 'From work to text'.
- Beardsley and Wimsatt, 'The affective fallacy'.
- de Beauvoir, The Second Sex, Chapter XI, 'Myth and reality'.
- Benjamin, The Work of Art in the Age of Mechanical Reproduction.
- Burke, On the Sublime.
- Editors of Lingua Franca, The Sokal Hoax: The Sham That Shook the Academy.
- Fanon, The Wretched of the Earth.
- Fish, Doing What Comes Naturally, 'Why no one's afraid of Wolfgang Iser'.
- Foucault, Discipline and Punish: The Birth of the Prison.
- Freud, The Interpretation of Dreams, Chapter V, 'The material and sources of dreams'.
- Hegel, Phenomenology of Spirit, Lectures on Fine Art.
- Heidegger, 'Language'.
- Kant, Critique of the Power of Judgment.
- Lentricchia and McLaughlin, Critical Terms for Literary Study, entry for 'Representation'.
- Longinus, On the Sublime.
- Marx, Economic and Philosophic Manuscripts of 1844; Capital.
- Nietzsche, On Truth and Lying in a Non-Moral Sense.
- Plato, Ion, Republic.
- Rousseau, Emile; excerpt on Robinson Crusoe.
- Saussure, Course in General Linguistics.
- Sidney, A Defense of Poetry.
- Woolf, A Room of One's Own.
Audiovisual materials/software
You may need to access the Internet from time to time for this course, so Web access capability is necessary.
For students without Internet access, HKMU's computer labs provide sufficient Web access for this course.
Websites
While they are not required material, you may find these general and topical websites useful:
Equipment needed (IT resources)
Hardware
- a PC with a Pentium III 800 MHz processor or better;
- 512 MB RAM (ideally 1GB RAM);
- 1GB of free disk space; and
- a broadband connection to the Internet.
Software
- English Windows XP or later; or OpenOffice.
- Web browser: Firefox 2, Internet Explorer 7, or a compatible equivalent.
These will enable you to write and consult information available through the Internet.
Assessment
Assignments
There will be four assignments in the form of short-answer essays. Assignment 1 covers Units 1 to 3 and Assignment 2 relates to Units 4 and 5, while Assignment 3 covers Units 6–7 and Assignment 4 deals with Units 8–9. These four assignments emphasize your critical, analytical and written abilities and are designed to help you in exploring the selected literary texts and relevant concepts further. They comprise 50% of the total course marks.
Final examination
The final examination will be course-wide in scope and will cover all dimensions of ENGL A337. Through a two-hour closed-book examination session, students will have the opportunity to display their understanding and analytical ability in the learned areas. Both short questions and essay questions will be included.
Assessment summary
The assessment items are summarized in the following table.
Assessment | Course area covered | Weighting |
Assignment 1 | Units 1–3 | 12.5% |
Assignment 2 | Units 4–5 | 12.5% |
Assignment 3 | Units 6–7 | 12.5% |
Assignment 4 | Units 8–9 | 12.5% |
Final exam | All units | 50% |
Total | 100% |