Books | 1. | Tso, A. W. B. (Ed.)(2019). Digital Humanities and New Ways of Teaching. Singapore: Springer | 2. | 譚國根、梁慕靈、黃自鴻編。(2018)《數碼時代的中國人文學科研究》。台北：秀威資訊科技股份有限公司。 | 3. | 劉文英、梁慕靈、黃樹基編。(2018)《博物館的變與不變：香港和其他地區的經驗》。香港： 香港公開大學數碼文化與人文學科研究所。 | 4. | Tso, A. W. B., Ho, W. S. Y., & Chung, J. S. K. (2016). Academic Writing for Arts and Humanities Students. Singapore: McGraw-Hill Education. [Note: Corpus research (digital) techniques are used to formulate chapters 5 – 6 of the book.] |
Refereed Book Chapters | 1. | Tso, A. W. B. (Forthcoming in 2019). Consumerism and Alienation, and Digital Dystopia in Ray Bradbury’s “The Veldt”. In A. W. B. Tso & S. Lee, Approaches to British, Irish and American Short Stories. Jefferson, North Carolina: McFarland & Company, Inc. | | 2. | Tso, A. W. B. (2019). Learning English as a Second Language through Social Media: First-hand Perspectives from Hong Kong Adolescents. In Will W. K. Ma, W. L. Chan & C. M. Cheng (Eds.), Shaping the Future of Education, Communication and Technology. Singapore: Springer. | | 3. | Tso, A. W. B. (Forthcoming in 2019). Consumerism and Alienation, and Digital Dystopia in Ray Bradbury’s “The Veldt”. In A. W. B. Tso & S. Lee, Approaches to British, Irish and American Short Stories. Jefferson, North Carolina: McFarland & Company, Inc. | | 4. | Tso, A. W. B., & Lau, J. M. Y. (2019). The Digital and Multimodal Art Experience: A Hong Kong Case Study. In A.W.B. Tso (Ed.), Digital Humanities and New Ways of Teaching. Singapore: Springer. | 5. | Tso, A. W. B. (2019). Introduction: Digital Humanities in Research, Practice, and Pedagogy. In A.W.B. Tso (Ed.), Digital Humanities and New Ways of Teaching. Singapore: Springer. | 6. | Tso, A. W. B., & Lau, J. M. Y. (2018). An Explorative Study on the Pedagogical Potential of Gamification. In K.C. Li, K.S. Yuen & B.T.M. Wong (Eds.), Innovations in Open and Flexible Education (pp. 143-152). Singapore: Springer. | 7. | 陳潔儀著(2017)。《台港旅遊文學的新可能──試論簡媜、屈穎妍的「親子遊」作品》《文學山水》（張雙慶、 余濟美編。香港：香港中文大學聯合書院等聯合出版，2017年, pp.579-592. | 8. | Tam, K. K. (2016) A Doll's House and the Politics of Staging Women in China. In Frode Helland and Julie Holledge (Eds.), Ibsen Between Cultures (Acta Ibseniana XII-2016) (pp. 39-78). Oslo: Novus Forlag. | 9. | Tam, K. K. (2015). Chinese Ibsenism: A Theoretical Reflection on Contestation and Reception. In Liina Lukas and Katre Talviste (Eds), Taming World Literature (pp. 193-210). Tartu: University of Tartu Press. |
Refereed Journal Articles 1. | Tso, Anna Wing-bo (2015). Reflections on blended learning: A case study at the Open University of Hong Kong. Asian Association of Open Universities Journal, 10(1), 77 – 86. | 2. | Tso, Anna Wing-bo & Lau, Janet Man-ying (2016). Digital Game-based Learning: A Case Study of a Digital Educational Game in Hong Kong. Journal of Global Literacies, Technologies, and Emerging Pedagogies, 3.2, 433 – 447. | 3. | Tso, Anna Wing-bo and Winnie, Ho Siu-yee (2017). Teaching English Academic Writing in the Second Language Classroom and Beyond. The Canadian Journal for Teacher Research. 5(2017): n. pag. Web. [Note: Corpus research (digital) techniques are used in the article.] | 4. | Ho, Amic G. (2017). Effectiveness of introducing emotional concerns in undergraduate design curriculum. International Journal of Learning and Teaching, 4(1). |
Refereed Conference Proceedings Papers 1. | Ho, Yue-jin (2016). The Unstable Characters: Reading of Chinese Text-based Digital Works. In Olli Tapio Leino (Ed.), ISEA2016 Hong Kong CULTURAL R>EVOLUTION: Proceedings of the 22nd International Symposium on Electronic Art, May 2016. (pp. 290 – 293). Hong Kong: School of Creative Media, City University of Hong Kong. | 2. | Tso, Anna Wing-bo and Janet Man-ying Lau (2015). Digital Game-based Learning: A Case Study of a Digital Educational Game in Hong Kong. In D. Wong, K.C. Li and K.S. Yuen (Eds.), ICOFE 2015: Proceedings of the 2nd International Conference on Open and Flexible Education. (pp. 1-13). Hong Kong: The Open University of Hong Kong. | | 3. | Ho, Amic G. “The Effectiveness of Applying Extraction in Information Retrieval for Communication Design Research.” HCI Korea 2017. 8 -10 February 2017. High1 Resort, Gangwon-do, South Korea. | | 4. | Ho, Amic G. “Investigating the application of field research in Chinese typography design education.” International Design Conference 2017 Karachi. 20 -22 February 2017.Indus Valley School, Karachi, Pakistan. | | 5. | Ho, Amic G. “‘Exploring Cultural Recognition: Enhancing Creativity in Interactive Communications.” The 3rd Conference on Digital Culture: Digital Art, Design and Advertising. 1 -3 June 2017, The Open University of Hong Kong. | | 6. | Ho, Amic G. “Embedding Emotions in Learning Experience for Interactive Design.” Learn x Design 2017: The Fourth International Conference for Design EducatioResearchers. 27 -30 June 2017. Ravensbourne, London, UK. | | 7. | Ho, Amic G. “‘Explore the Categories on different Emotional Branding Experience for optimising the Brand Design Process. ” HCI International 2017: 6th International Conference on Design, User Experience and Usability. 9 -14 July 2017, Vancouver Convention Centre, Vancouver, Canada. | | 8. | Ho, Amic G. “Analysis of Emotion and Cultural Background on Affective Design Process.” International Conference on Affective and Pleasurable Design (AHFE 2017). 17 -21 July, 2017. The Westin Bonaventure Hotel, Los Angeles, USA. | | 9. | Ho, Amic G. “Humanistic teaching approaches in typographic communication design.” 2017 International Conference on Human Factors in Communication of Design (AHFE 2017). 17 -21 July 2017. The Westin Bonaventure Hotel, Los Angeles, USA. | | 10. | Ho, Amic G. “‘Measuring Emotion for Enhancing Interactive Communication. ” International Conference of the Asia Digital Arts and Design Association. 8 – 9 September 2017, Gwangju, South Korea. |
Research Arising from RIDCH | 1. | Leung, Rebecca Mo-ling (Principal investigator). Shaping and Being Shaped by Multiple Cultural Fields: An Analysis of Newspaper Coverage of Eileen Chang in China, Hong Kong, and Taiwan, RGC FDS, 1 January 2018 – 31 December 2020. (UGC/FDS16/H02/17) | | 2. | Wong, Chi-hung (Sole principal investigator). A Study of Edo Annotated Editions of Du Fu's Eight-line Regulated Verse, RGC FDS, 1 January 2018 – 30 June 2020. (UGC/FDS16/H05/17) |
Conference Presentations 1. | Chan, Rebecca Kit-yee. 「虛構的真實——略論古蒼梧《舊箋》古今交疊的敘述形式與後殖書寫的關係」Conference on “Spoken and Written Languages that Cross Boundaries: Literature and Thoughts in 20th Century East Asia”, co-organized by University of Foreign Studies Kobe City. 23 -24 June 2017. The Education University of Hong Kong, Hong Kong. | 2. | Chau, Dennis Chung-yin. “The Use of Emoticons among Hong Kong Undergraduates in a Course-based Facebook Group.” The 1st Conference on Digital Culture: Digitization of the Humanities: Technologizing Interconnections in Art, History and Literature. 17 – 18 December 2015. The Open University of Hong Kong, Hong Kong. | 3. | Chung, Joan Sau-kwan. “Collocation Analysis of the Word ‘habit’: Corpus-based Approaches.” The 2nd Conference on Digital Humanities: Digitization and Reconceptualizations of the Humanities. 4-6 July 2016, The Open University of Hong Kong, Hong Kong. | | 4. | Ho, Yue-jin. “A Potential Postalphabetic Literature? : Digital Materiality of Chinese Graphemes.” Digital Research in the Humanities and Art Conference. 1 – 3 September 2015. Dublin City University, Ireland. | | 5. | Ho, Yue-jin. 「中文數碼文字藝術的特質」 The 1st Conference on Digital Culture: Animation Techniques and the Digital Art. 17 – 18 December 2015. The Open University of Hong Kong, Hong Kong. | 6. | Lai. Venus Yuen-ming. “Beyond the Five Senses: An Introspective Experience through VR Sound and Vision.” The 2nd Conference on Digital Culture: Digital Art and Film. 4-6 July 2016, The Open University of Hong Kong, Hong Kong. | 7. | Lam, Sunny Sui-kwong. “The Occupy/Umbrella Movement in Hong Kong: A 'Social Mediated' Movement by 'Crowd Effects'.” International Conference: Reframing Media/Cultural Studies in the Age of Global Crisis. 19 – 20 June 2015. University of Westminster, the UK. | | 8. | Lam, Sunny Sui-kwong. “Re-tradition of Chinese Martial Arts by Digitextuality.” The 2nd Conference on Digital Culture: Digital Art and Film. 4-6 July 2016, The Open University of Hong Kong, Hong Kong. | 9. | Lam, Sunny Sui-kwong. “‘Lion Rock Spirit’ by Digital Native Perception of FortunePharmHK's Branding TVCs.” The 3rd Conference on Digital Culture: Digital Art, Design and Advertising. 1 -3 June 2017, The Open University of Hong Kong, Hong Kong. | | 10. | Leung, Rebecca Mo-ling. 「言情小說傳統看大陸網絡小說特色──以桐華《步步 驚心》及 其電視劇改編為例」The 1st Conference on Digital Culture: Animation Techniques and the Digital Art. 17 – 18 December 2015. The Open University of Hong Kong, Hong Kong. | 11. | Leung, Rebecca Mo-ling. 「論詮釋魯迅〈狂人日記〉的過程與其經典化的關係」The Association of Chinese and Comparative Literature Biennial Conference – Text, Media, and Transcultural Negotiation. 21 -23 June 2017. The Chinese University of Hong Kong, Hong Kong. | 12. | Mak, Vincent. “Digital Chinese Ink in Contemporary Art.” 「中國繪畫與數碼科技在香港的應用」 Symposium 2017: Culture and the Humanities in the Digital Age: China Focus. 12 – 13 January 2017, The Open University of Hong Kong, Hong Kong. | 13. | Ng, Billy Tsz-yu. “From Hong Kong Literature on Film to Chinese Science Fiction Film Genre: A Case Study of A Terra-Cotta Warrior, Dumplings, and Pillow.” 「從香港文學改編建立的「華語科幻電影」類型:以《秦俑》、《餃子》、《枕妖》為例》」The 3rd Conference on Digital Humanities: Digitization of the Humanities and New Ways of Teaching. 1 -3 June 2017, The Open University of Hong Kong, Hong Kong. | | 14. | Ngai, Jonathan Bo-wan. “'Given the Importance of …': Importance Markers in Newspaper Genres.” CAES International Conference – Faces of English 2: Teaching and Researching Academic and Professional English. 1 -3 June 2017,The University of Hong Kong, Hong Kong. | | 15. | Ngai, Jonathan Bo-wan. “The Marking of Importance in Two Newspaper Genres.” The 3rd Conference on Digital Humanities: Digitization of the Humanities and New Ways of Teaching. 1 -3 June 2017,The Open University of Hong Kong, Hong Kong. | | 16. | Tam, Kwok-kan. “The Historical Archive in the Digital Age: Discourse and Implications for Research, Teaching and Learning.” Digital Humanities and the Historical Archive Symposium. 9 May 2016, School of Communication and HKBU Library, Hong Kong Baptist University. | | 17. | Tam, Kwok-kan. “Visuality and Virtual Reality: Recent Chinese Digital Experimentations with Ibsen.” The 2nd Conference on Digital Culture: Digital Art and Film. 4-6 July 2016, The Open University of Hong Kong, Hong Kong. | | 18. | Tam, Nelson. “Knowing about Yokai to Enhance Character Design in Animation” Symposium 2017: Culture and the Humanities in the Digital Age: China Focus. 12 – 13 January 2017, The Open University of Hong Kong, Hong Kong. | | 19. | Tsang, Gary Chi-chung. 「試論資訊科技與中國古代文論研究」 The 2nd Conference on Digital Humanities: Digitization and Reconceptualizations of the Humanities. 4 – 6 July 2016, The Open University of Hong Kong, Hong Kong. | | 20. | Tsang, Sally Yuet-kwan. “The Digitization of Chinese Paintings in Hong Kong.” 「中國繪畫與數碼科技在香港的應用」 Symposium 2017: Culture and the Humanities in the Digital Age: China Focus. 12 – 13 January 2017, The Open University of Hong Kong. | | 21. | Tso, Anna Wing-bo and Lee, Pui-wah. “Reading the Media: Collodi’s The Adventures of Pinocchio (1883) and its Disney Adaptation.” Language Education and Diversity Conference 2015. 23 – 26 November 2015. The University of Auckland, New Zealand. | | 22. | Tso, Anna Wing-bo. “Developing Learners’ Critical Media Literacy: Teaching Media Discourse Analysis through Disney’s Frozen (2013).” Language and Diversity Conference 2015. 23 – 26 November 2015. The University of Auckland, New Zealand. | | 23. | Tso, Anna Wing-bo. “Archives of Children’s Literature.” Digital Humanities and the Historical Archive Symposium. 9 May 2016, School of Communication and HKBU Library, Hong Kong Baptist University. | | 24. | Tso, Anna Wing-bo. “Digital Dystopia in Charlie Brooker’s The Black Mirror.” The 2nd Conference on Digital Humanities: Digitization and Reconceptualizations of the Humanities. 4 – 6 July 2016, The Open University of Hong Kong, Hong Kong. | | 25. | Tso, Anna Wing-bo and Lau, Janet Man-ying. “Museum-based Digital Learning Experiences at the Hong Kong Heritage Museum. ” The Pre-conference Convention of the International Conference on Education and Workforce Development. January 2017, Higher Colleges of Technology – Abu Dhabi Women’s College, Abu Dhabi, UAE. | | 26. | Tso, Anna Wing- bo and Lau, Janet Man-ying. “Visitors’ Perception of a Multimodal Exhibition: A Case Study at the Hong Kong Heritage Museum.” The 3rd Conference on Digital Humanities: Digitization of the Humanities and New Ways of Teaching. 1 – 3 June 2017, The Open University of Hong Kong, Hong Kong. | | 27. | Tso, Anna Wing- bo and Lau, Janet Man-ying. “Investigating Transmedia Exhibition Designs and Visitors’ Experiences in Museums.” The 10th International Conference on the Inclusive Museum. 15 -17 September 2017, Manchester Museum, Manchester, UK. | | 28. | Tso, Anna Wing-bo. “ESL Students and Teachers' Perspectives on Language Learning through Social Media Platforms.” International Conference on ESP, New Technologies and Digital Learning. 7 -9 December 2017, Hong Kong Polytechnic University, Hong Kong. | | 29. | Tso, Anna Wing-bo. “Vocabulary Building in the Digital Age: An Evaluation of Language Learning Apps for ESL Students”. The Focus on Language Conference – Challenging Language Learning and Language Teaching in Peace and Global Education: From Principles to Practices . 22 -24 March 2018. The University of Education, Freiburg, Germany. | | 30. | Wong, Chi-hung. 「虛擬與身體：閱讀賀景濱《去年在阿魯吧》」 The 2nd Conference on Digital Humanities: Digitization and Reconceptualizations of the Humanities. 4 – 6 July 2016, The Open University of Hong Kong, Hong Kong. | | 31. | Wong, Chi-hung. “Imagination about Body and Mind in the Online Science Fiction Adrift in a Virtual City.” 「《虛擬街頭漂流記》的身心想像」The 3rd Conference on Digital Humanities: Digitization of the Humanities and New Ways of Teaching. 1 – 3 June 2017, The Open University of Hong Kong, Hong Kong. | | 32. | Wong, Chi-hung. 「閱讀臺灣的方法：香港的臺灣文學學位論文研究」The Association of Chinese and Comparative Literature Biennial Conference – Text, Media, and Transcultural Negotiation. 21 – 23 June 2017. The Chinese University of Hong Kong, Hong Kong. | | 33. | Yip, David. “Surrealism in 4D.” Symposium 2017: Culture and the Humanities in the Digital Age: China Focus. 12 – 13 January 2017, The Open University of Hong Kong, Hong Kong. | | 34. | Yu, Xuying. 「《中國 2185》: 後現代外衣下的現代性想像」 The 2nd Conference on Digital Humanities: Digitization and Reconceptualizations of the Humanities. 4 – 6 July 2016, The Open University of Hong Kong, Hong Kong. |
| 1. | Chau, Dennis. “Digital Literacy Practices in a Social Network-Educational Space.” RIDCH 27th seminar. 28 November 2016. The Open University of Hong Kong, Hong Kong. | 2. | Kung, Kaby Wing-sze. “When Chinese Feminism Goes Digital.” RIDCH 9th seminar, 20 November 2015. The Open University of Hong Kong, Hong Kong. | 3. | Lai. Venus Yuen-ming. “Cinematic Sound Design: The Concept of Addition and Subtraction in Post Digital Age.” RIDCH 17th seminar, 15 March 2016. The Open University of Hong Kong, Hong Kong. | | 4. | Lam, Sunny Sui-kwong. “Culture of Digital Native Chinese”. RIDCH 19th seminar, 30 May 2016. The Open University of Hong Kong, Hong Kong. | 5. | Lau, Janet Man-ying. “The French Influence on Chinese Publication Covers in the 1920s – 1940s.” Public seminar, Le French May Associated Project: Sino-French Cross-cultural Encounters in Fine Art and Literature, The Open University of Hong Kong. 4 May 2018. | 6. | Lau, Janet Man-ying and Wong, Walter Shu-kei. “RIDCH Field Trip Sharing Session: Digitalisation and Museum.” RIDCH 31th seminar. 25 April 2017. The Open University of Hong Kong, Hong Kong. | 7. | Leung, Rebecca Mo-ling, Ip, Dan, Lau, Janet Man-ying and Wong, Walter Shu-kei. “Digitalisation and Cultural Institutions: From Archive to Display.” RIDCH 37th seminar. 16 March 2018. The Open University of Hong Kong, Hong Kong. | 8. | Leung, Rebecca Mo-ling. “The Introduction and Transformation of French Literature in Modern Chinese Literature in the 1930s.” Public seminar, Le French May Associated Project: Sino-French Cross-cultural Encounters in Fine Art and Literature, The Open University of Hong Kong. 4 May 2018. | | 9. | Ma, Chase. “How Does the E-book Redefine the Reading Experience?.” RIDCH 21st seminar. 17 October 2016. The Open University of Hong Kong, Hong Kong. | | 10. | Tin, Man. “Digital Revelation: The Impact of Media and Technology Convergence.” RIDCH 14th seminar, 21 January 2016. The Open University of Hong Kong, Hong Kong. | | 11. | Tso, Anna Wing-bo. “Readers for Children in the Digital Age.” RIDCH 20th seminar. 3 September 2016. The Open University of Hong Kong, Hong Kong. | | 12. | Tso, Anna Wing-bo. “Digital Children's Literature.” RIDCH 27th seminar. 14 January 2017. The Open University of Hong Kong, Hong Kong. | | 13. | Tso, Anna Wing-bo. “Charles Perrault’s Mother Goose Tales in China’s Digital Era.” Public seminar, Le French May Associated Project: Sino-French Cross-cultural Encounters in Fine Art and Literature, The Open University of Hong Kong. 4 May 2018. | | 14. | Wong, Chi-hung “Tang and Song Ci Poetry and the Use of Digital Data.” RIDCH 30th seminar. 10 April 2017. The Open University of Hong Kong, Hong Kong. | | 15. | Wong, Walter Shu-kei. “The Influence of French Comics Towards Chinese Animation and Comics.” Public seminar, Le French May Associated Project: Sino-French Cross-cultural Encounters in Fine Art and Literature, The Open University of Hong Kong. 4 May 2018. | | 16. | Yip, David Kei-man. “Issues and Teaching and Assessment of Creative Arts.” RIDCH 2nd seminar, 24 August 2015. The Open University of Hong Kong, Hong Kong. |
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